sources
Sources Referenced
Alter, Andrew. “Garhwali Bagpipes: Syncretic Processes in a North Indian Regional Musical Tradition.” Asian Music, vol. 29, no. 1, 1997, pp. 1–16.
Atkins, E. Taylor. “The Dual Career of ‘Arirang’: The Korean Resistance Anthem That Became a Japanese Pop Hit.” The Journal of Asian Studies, vol. 66, no. 3, 2007, pp. 645–87.
Austerlitz, Paul. “The Jazz Tinge in Dominican Music: A Black Atlantic Perspective.” Black Music Research Journal, vol. 18, no. 1/2, 1998, pp. 1–19.
Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction. In Illuminations, ed. Hannah Arendt, trans. Harry Zohn. New York: Schocken Book, 1969.
Besson, Y. “UNRWA and Its Role in Lebanon.” Journal of Refugee Studies, vol. 10, no. 3, 1997, pp. 335–348..
Boonzajer-Flaes, Robert M. Brass Unbound: Secret Children of the Colonial Brass Band. Amsterdam: Royal Tropical Institue, 2000.
“Canjos.” Porch Music Store, 8 Nov. 2019, https://porchmusicstore.com/canjos/.
Chardon, Roland. “Sugar Plantations in the Dominican Republic.” Geographical Review, vol. 74, no. 4, [American Geographical Society, Wiley], 1984, pp. 441–54.
Curtis, Wayne. “Rum and Coca-Cola: The Murky Derivations of a Sweet Drink and a Sassy World War II Song.” The American Scholar, vol. 75, no. 3, 2006, pp. 64–70.
Davison, John. “Palestinian Bagpipers Pull for Scottish Independence.” The Times of Israel, September 16, 2014. https://www.timesofisrael.com/palestinian-bagpipers-pull-for-scottish-independence/
Dowling, Melissa. “An Education on Caribbean Rum.” Cheers, 2015, https://cheersonline.com/2015/09/18/an-education-on-caribbean-rum/.
Gedeon, Joseph.15 Apr. “Forget Scotland —Bagpipes Are Originally from the Gulf.” GulfNews, April 15, 2016. https://gulfnews.com/entertainment/arts-culture/forget-scotland---bagpipes-are-originally-from-the-gulf-1.1713393#:~:text=That's%20how%20bagpipes%20ended%20up,Frankopan%20explained.
Gramsci, Antonio. “The Intellectuals,” in Selections from the Prison Notebooks. Translated and Edited by Q. Hoare and G. N. Smith. New York: International Publishers, 1971.
Guarnizo, Luis, in Roorda Eric, et. al. "Los Dominicanyorks," The Dominican Republic Reader: History, Culture, Politics. Durham: Duke University Press, 2014.
Harney, Stefano, and Fred Moten. The Undercommons Fugitive Planning & Black Study. London: Minor Compositions, 2013.
Hobsbawm, E.J. and T. O. Ranger. The Invention of Tradition. Cambridge: Cambridge University Press, 2012.
Howard, Keith. "Crossing Over the Arirang Pass: Zainichi Korean Music." Ethnomusicology Forum, 11/02/2021, pp. 1-4.
Jones, LeRoi (Amiri Baraka). “The Changing Same (R&B and New Black Music).” Black Music, New York: Morrow, 1970.
Kim, Heejin, in Reily, Suzel Ana, and Katherine Brucher, ed. "Battlefields and the Field of Music- South Korean Military Band Musicians and the Korean War." Brass Bands of the World Militarism, Colonial Legacies, and Local Music Making. New York: Routledge, 2016.
Kim, Shi-op. "Arirang, Modern Korean Folk Song." Korea Journal, vol. 28, no. 7, 1988, pp. 4-19.
Lake, Robert. “Diddley Bows, Cross Harps, Banjars and Backbeats: The Rhythm and Sound of Personal Agency from Southern African America.” Counterpoints, vol. 434, 2014, pp. 78–88.
Legrand, Catherine C. “Informal Resistance on a Dominican Sugar Plantation during the Trujillo Dictatorship.” The Hispanic American Historical Review, vol. 75, no. 4, 1995, pp. 555–96.
Lewis, George E. A Power Stronger than itself : The AACM and American Experimental Music. Chicago: University of Chicago Press, 2008.
Lewis, George H. From Minnesota Fat to Seoul Food: Spam in America and the Pacific Rim. The Journal of Popular Culture, 2000, 34: 83-105.
Martinez, Samuel. Decency and Excess: Global Aspirations and Material Deprivation on a Caribbean Sugar Plantation Milton Park: Routledge, 2007.
Martinez, Samuel. “Allegations Lost and Found: The Afterlife of Dominican Sugar Slavery.” Third World Quarterly, vol. 33 no. 10, pp. 1855-1870.
Mills, Fetzer, and Tom Rankin. “King of the One-String.” Southern Cultures, vol. 5, no. 1, 1999, pp. 49–53.
Murray, David. Music of the Scottish Regiments. Edinburgh: Mercat Press, 2001.
Proctor, Tammy M., and Nelson R. Block. Scouting Frontiers: Youth and the Scout Movement's First Century. Cambridge: Cambridge Scholars Publishing, 2009.
Reily, Suzel Ana, and Katherine Brucher, ed. Brass Bands of the World Militarism, Colonial Legacies, and Local Music Making. New York: Routledge, 2016.
Roorda, Eric, et al. The Dominican Republic Reader: History, Culture, Politics. Durham: Duke University Press, 2014.
Saxophones in Military Bands. Musical Opinion and Music Trade Review, vol 15, no. 170, 1891, pp. 53.
Sewell, Abby. “Palestinians in Lebanon Preserve Bagpiping Tradition.” The Daily Star Newspaper - Lebanon, 2018. www.dailystar.com.lb/News/Lebanon-News/2018/Jul-17/456835-palestinians-in-lebanon-preserve-bagpiping-tradition.ashx.
Simonett, Helena, in Reily, Suzel Ana, and Katherine Brucher, ed. “From Village to World Stage: The Malleability of Sinaloan Popular Brass Bands,” Brass Bands of the World Militarism, Colonial Legacies, and Local Music Making. New York: Routledge, 2016.
Steingo, Gavin. “Sound and Circulation: Immobility and Obduracy in South African Electronic Music,” Ethnomusicology Forum, vol. 24 no.1, 2015, pp. 102-123.
Stiles, Matt. “In Korea, Spam Isn't Junk Meat - It's a Treat.” NPR, 8 Apr. 2015, https://www.npr.org/sections/thesalt/2015/04/08/396759474/spam-in-korea-it-s-not-junk-meat-it-s-a-luxury-treat.
Tausig, Ben. Bangkok is Ringing: Sound, Protest, and Constraint. New York: Oxford University Press, 2019.
Torres-Saillant, Silvio. “The Tribulations of Blackness: Stages in Dominican Racial Identity.” Latin American Perspectives, vol. 25, no. 3, 1998, pp. 126–46.
Troutman, John W. “Steelin’ the Slide: Hawai‘i and the Birth of the Blues Guitar.” Southern Cultures, vol. 19, no. 1, 2013, pp. 26–52.
“Welcome to the Home of the Best Rums in the World.” Ron Barceló USA, http://ronbarcelousa.com/home/our-history/.
Wittemans, Sophie, in Proctor, Tammy M., et al. “The Double Concept of Subject and Citizen at the Heart of Guiding and Scouting.” Scouting Frontiers: Youth and the Scout Movement's First Century, Cambridge Scholars Pub., Newcastle upon Tyne, 2009.
For more on "continuity and rupture" as a theoretical framework:
Moufawad-Paul, J. Continuity and Rupture: Philosophy in the Maoist Terrain. Zero Books, 2016.